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Daniel P Quinn's avatar

The City Opera lucked out with the International press dismayed by The Met fiasco of Samuel Barber's opera ANTONY & CLEOPATRA but thrilled by Handel. Sills commandeered the role over Phyllis Curtain. Norman Treigle was supposed to be the star but Sills got most of the press.

Daniel P Quinn's avatar

Sills, Treigle and the demise of the City Opera are all missed too.

Opera Daily's avatar

Love this part of a comment that came in this morning to me via email:

"Nobody ever gave more of herself than Sills. She would try anything both vocally or dramatically to please her audience. And always with a smile! She never ceased to thrill me even when she didn’t quite get there so to speak... I miss Bubbles very much. “

OperaLover2's avatar

The music of Georg Frideric Handel has always spoken to my spirit. I listened to Beverly Sills perform “Da tempeste il legno infranto” from Act III of "Giulio Cesare" and decided to watch the full opera today. I settled on a production, starring Montserrat Caballé, purely for sentimental reasons: https://www.youtube.com/watch?v=7kjM2UoKYBw&t=2438s.

Even though the staging was spare, the voices were luxurious, as was Handel's music. You will be pleased to know that I actually recognized a "pants role", the artist who portrayed Sesto. It was so exciting!🤩

Opera Daily's avatar

Oh nice! Such commitment - I love it! Finishing up Handel week tomorrow with Rinaldo - so many notes!!