Opera Daily š¶ ā Simple as it is, this aria never gets old...
This week's Opera Daily features āAmor ti vietaā from the Italian opera Fedora
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The Italian opera Fedora contains one of the best tunes in the tenor literature,"Amor ti vietaā.
Although the aria goes no higher than an A, it is not an easy aria to sing well.Ā
The line demand the absolute best from the tenor regarding good and faithful legato singing.
Letās get into it and listen to Tenor Nicolai Gedda singing this piece.
So relaxed and so confident.
š§Ā Listening Example:Ā (2 minute listen): Tenor Nicolai Gedda singing āAmor ti vietaā from Act 2 of the Italian opera Fedora by Umberto Giordano, Swedish TV, 1969
Fedora is a tragic opera written in 1882 by Umberto Giordano. It is based upon a libretto by Arturo ColauttiĀ .
The narrative tells the story of two lovers.
The lovers are Princess Fedora and Count Loris. In the opening, the princess professes her love for her fiancĆ© Count Andrejevich. But her soon-to-be husband is not a nice guy.Ā
Fedora has found out that Count Loris killed her fiancƩ. She wants to get back at Loris, and she goes to Paris to get him to fall in love with her.
The aria, āAmor ti vieta,ā explains the moment Count Loris falls in love with Fedora. And while she may love him, too, they would never admit to their love for each other.
āAmor ti vietaā (āLove forbids youā)
Amor ti vieta di non amar.
Love forbids you not to love.
La man tua lieve che mi respinge,
Your light hand that rejects me,
cerca la stretta della mia man;
seeks the touch of my hand;
la tua pupilla esprime: āT'amoā
the pupils (of your eyes) say: āI love youā
se il labbro dice:
even if your lips say:
"Non t'amerĆ²!"
"I shall not love you!"
PlĆ”cido Domingo was one of the champions of this opera. Below is a clip where Merv Griffin interviews Domingo, and he sings (and plays!) āAmor ti vietaā.
š§Ā Listening Example:Ā (2 minute listen): Tenor PlĆ”cido Domingo singing āAmor ti vietaā from Act 2 of the Italian opera Fedora by Umberto Giordano, The Merv Griffin Show, 1981
āAmor ti vietaā is popular among tenors and we would love to hear your favorite renditions. Let us know in the comments!
Happy Fatherās Day to all the dads, step-dads, uncles, grandfathers, and father figures who have made us into the people we are today. We love you.
Thank you for reading (and listening),
Michele
PS. If you missed last week's selection, we featured Edda Moser and her take-no-prisoners styleācheck it out here!
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There is also a profoundly beautiful rendition by Caruso (in my LP collection). George Jellinek advised that Giordano played the piano for Enrico as well. Imagine when it was modern, contemporary as new Italian music circa 1910.
The Met is also reviving FEDORA this coming season; maybe we can see it then.